Wednesday, August 31, 2011
Batwoman - Old Money - Matt Duarte
Batwoman - Unmasked - Sime McDonald
Tuesday, August 30, 2011
Batwoman - Get Up, Stand Up - Rol Hirst
Panel One.
A very young Kate Kane is riding her bike down a suburban street, racing against her twin sister Beth. They’re both peddling frantically, determined expressions on their faces. They’re both wearing T-shirts and shorts, neither is wearing any cycling safety equipment. The sun is setting.
CAP (Kate): I was six years old.
CAP: The bikes were a Christmas present.
CAP: Not from Santa, Dad didn’t believe in any of that.
Panel Two.
Suddenly a cat streaks out across the road in front of Kate’s bike. She slams on the brakes, screaming.
CAP: The first thing I remember is the cat.
Kate: Ahhhh!
Panel Three.
Young Kate sits in the road, nursing a scraped and bleeding leg. There are more bruises and scratches on her arms and face. The bike is on its side behind her. She’s screeching her lungs out like kids do when they come off their bikes.
Kate: Waaaaahhhhh!
Jake (off-panel): Kate.
Panel Four.
A long shadow falls on young Kate and she stops crying to look up. We can’t see him, but the shadow comes from Kate’s father, Jake Kane. We can see Kate’s sister sitting on her own bike nearby, watching. Her mouth is a big 'O'.
Jake: Get up, Kate.
CAP: This is my earliest memory.
Panel Five.
Present day. A dark and storm-lashed Gotham City rooftop. Batwoman lies bruised and bloodied following a particularly brutal encounter with Bane. She’s trying to pick herself up.
Jake (off-panel): Get up, Kate.
CAP: And it pretty much set a precedent…
Panel Six.
Jake helps his daughter to her feet. Bane lies nearby, unconscious: beaten.
Jake: You did it. I knew you could. I knew you could beat him.
CAP: Back then, he always made me stand up on my own.
CAP: Nowadays... sometimes he actually gives me a helping hand.
Monday, August 29, 2011
Batwoman - My Heart Is The Worst Kind Of Weapon - Maxy Barnard
And so a very comic-booky plot comes to mind. Because isn't it strange how she survived such a fatal wound, even considering it's a comic book or whatever? Well, RETCON! Nanites on the blade assisted in her healing, items placed into her system by a mysterious background figure, intent on delaying her sacrifice to turn her into deadly weapon!
We join the story as her implanted heart-weapon has kicked in, sucking a stream of blood from the chest of the planned target (a gang boss she was monitoring) and into her own.
----------------------------------------
#.1
Sitting on the roof now, Batwoman is patting her steaming chest, where the remnant of the blood that entered her chest has left a typical cartoon-style heart pattern dyed into her skin.
CAPTION: What in the world--?
#.2
Street level view now angled up towards the rooftop, as various gangsters both go to check on their fallen boss and look and point up to where they saw the mysterious eruption of blood go.
GANGSTER: IT CAME FROM UP THERE!
ALSO A GANGSTER: THEN GET UP THERE AND GET WHOEVER DID THIS ALREADY!
#.3
Batwoman is steadying herself and clutching her side, wincing in pain.
BATWOMAN: Damn. Have to get ahold of Dad, mission's compromised... And then some.
#.4
Batwoman with two fingers to the ear of her mask, activating her communications device.
BATWOMAN: Come i-
#.5
Overlapping panel of Batwoman, mouth wide open in pain as a loud shrieking sound comes over her comms.
SFX (comms): SKREEEEEEEEEEEEEEEEEE--
BATWOMAN: AARGH!
#.6
The sound peters out, as Batwoman covers her ears in pain, teeth gritted.
VOICE (comms): EEEEE--skrsh--atwoman?--eee-- I--his-you?
BATWOMAN: Who is this?
#.7
Panel coming out of the Batwoman's ear-piece from the previous panel, of a silhouetted face leaning into a microphone.
VOICE: Doesn't matter. Just know that you have to do what I tell you...
#.8
Close-up on Batwoman grimacing.
VOICE (comms): Or you'll die quite horribly.
Kate Kane - One More Time - Ben Rosenthal
1. We see Kate Kane in her car, looking at her from the passenger’s seat. She is looking in her handbag. Outside of the car, and clearly visible through the driver’s side window is a young Renee Montoya. Renee is dressed in her patrol officer uniform, and has her note book and pen in hand. She has just pulled over Kate for speeding.
KATE
It’s in here somewhere. I can never find a thing in this garbage sack.
RENEE
That’s ok, Ms Kane. While you’re battling the forces of your handbag you can tell me what you do for a living.
For the ticket.
2. Kate is in the bottom left corner of the panel, looking up. She is cut out against a memory of hers. In it, she is fighting bank robbers as The Batwoman.
KATE
Um....
3. Back to the same framing as Panel 1, but Kate is looking at Renee.
KATE
Coffee trainer.
RENEE
A coffee trainer?
4. A close up of Renee. She has a cheeky little smile on her face.
RENEE
How do you train beans to become coffee?
5. A close up of Kate. She is smiling.
KATE
Cute.
6. A tighter shot of Renee through the car window. The back of Kate’s head is visible in the bottom left corner. Renee is writing on her notepad.
RENEE
I’m going to let you off with a warning, but you have to promise me to slow down from now on.
Should you have any questions that need answering –
7. A close up of the piece of paper in Kate’s hand. It reads:
Renee - 555 434 632
RENEE
Give me a call
Sunday, August 28, 2011
Batwoman – Parallels – Kelly Thompson
Why Batwoman?
I’ve found the more I’ve written comics the more I love writing for an artist. I think you have to have an artist work on your words before you can truly understand what the collaborative process is like. I haven’t worked with JH Williams III before but I’m going to give it a go this week.
Oh, there’s also another reason I’ve picked Batwoman this week. Her name is Kelly Thompson. I’ve long been a fan of Kelly’s online writing. She has a column with Comics Should Be Good on CBR, she’s a voice on the 3 Chicks Review Comics Podcast (which is awesome and I urge you all to check it out), she’s a fellow CBR reviewer, and she’s just had a story approved for the media sensation, and monetary titan, Womanthology. It was through discussion with Kelly that I decided to choose Kate Kane. Now, up in a moment is Kelly’s one page script. She’s a special guest star so go make her welcome and enjoy the week.
Saturday, August 27, 2011
The Riddler – The Worlds Maddest Detective - MK Stangeland Jr.
(5 Panels)
Panel 1: RIDDLER and BATMAN (BRUCE WAYNE) are on a rooftop in Gotham City. RIDDLER is wearing a BATMAN costume, though his cowl and cape have a greenish tint to them and the body suit is darker. RIDDLER is turned towards BATMAN from previously being perched on a rooftop ledge, and has a very un-BATMAN like grin on his face.
BATMAN: Riddle me this, Edward. When is Batman not?
RIDDLER: A riddle? I LOVE riddles! Oh, oh! I’ve got this one, don’t tell me…
Panel 2: BATMAN stands directly in front of RIDDLER doing his best intimidation death-glare. RIDDLER, however, knows BATMAN well enough to not be affected by it very well and instead continues to have a grin on his face that would look outright creepy if the regular BATMAN were wearing it.
BATMAN: (Not giving RIDDLER a chance to answer.) When I haven’t approved it.
RIDDLER: Oh, you mean this old thing?
BATMAN: You want to explain to me why you’re running around Gotham dressed like me?
Panel 3: RIDDLER crouches as he sticks one foot up on the ledge of the building and stretches the opposite arm out in front of his face while holding his cape, using it to cover his face below the eyes.
RIDDLER (1): I’m trying to get inside your head and answer one of the second greatest riddles of the Batman!
RIDDLER (2): Riddle me this – how does he run around in tights all the time without going as bats as the very madmen he puts away?
Panel 4: RIDDLER stands on the ledge of the building with his back to the open air. His arms are stretched wide, each hand holding an edge of his cape.
RIDDLER: The answer?
Panel 5: RIDDLER leaps off the rooftop backwards. BATMAN rushes to try to catch him, worried that RIDDLER may have snapped even beyond his normal self and is leaping to his death.
RIDDLER: HE DOESN’T!
(END PAGE)
The following page would show that no, RIDDLER isn’t committing suicide, but instead has his own grappling cable which he uses to try to swing away while he laughs maniacally.
Friday, August 26, 2011
The Riddler - Words, Words, Words - Grant McLaughlin
Classic 3 x 3 grid. All panels equal size. Nothing crazy fancy there.
The Riddler - Better Left - Danial Carroll
PANEL ONE
Edward Nigma is walking up to a large columned building. A sign nearby reads, "Gotham City Library".
CAPTION: Ever since I was a child, I have questioned the world around me.
PANEL TWO
He is now seen entering a dark doorway, next to which is a small sign reading, "Grimoire and Occult".
CAPTION: Curiosity is my muse.
PANEL THREE
He is seen pulling a large, leather-bound book from the shelf.
CAPTION: Some questions, however...
PANEL FOUR
Edward is at a reading-table. His head is upon the table, eyes vacant and dilated, drooling. He has dropped the book, the spine of which reads, "Necronomicon".
CAPTION: Are better left unanswered.
Thursday, August 25, 2011
The Riddler - We Never Sleep - Matt Duarte
Wednesday, August 24, 2011
The Riddler - Questioning the Unquestionable - Sime McDonald
The Joker crouches on his haunches, his face inches from Riddler’s.
Tuesday, August 23, 2011
The Riddler – Wrong Answer – Ryan K Lindsay
1. Damian is punching The Riddler in the guts. They are in a room, a basement, chains on the walls, stains on the ground. This is Damian’s playground.
Damian: I got one for you. Listen closely.
2. Riddler is on the ground, holding his stomach. He’s in pain.
Damian: There is a room.
Damian: It is sound proof.
Damian: Two guys walk into aforementioned room.
Damian: One of them is pretty awesome.
3. Damian stands above the Riddler. Damian’s close to rocking that stance he did on Batman & Robin #1.
Damian: The other is you.
4. Damian grabs the Riddler’s hat off the ground.
Damian: The Batman is off, busy, definitely not coming back any time soon.
Damian: So, how much blood does this other guy give up before he names his source?
5. Damian is wearing the Riddler’s hat. He’s about to punch, or kick (go with your instincts), the Riddler.
Damian: Riddle me that, @$$#@^
Monday, August 22, 2011
The Riddler – Riddle Me This - Ben Rosenthal
1. Night. Edward Nigma sits at a desk, illuminated only by a desk light. He is in a singlet and boxer shorts, however upon his head is his trademark green question mark hat, his black eye mask on his face. He is hunched over his table, pen in hand.
2. A close up of the desk, specifically the paper on which Edward is writing on. On the top of the page it reads ‘Bank Heist’. Below it are words and short sentences, some are legible through the scrawls, some are not. A few crude scrawling of Batman are visible, with his tongue poking out and X’s where Batman’s eyes should be.
PAPER ON DESK READS
Bank Heist
Knab...bank backwards....is there a word or person which contains a knab?
When is the top of a mountain like a saving’s account? When it peaks one’s interest.
3. Looking up at Edward’s face from the desk. His hand rests upon his head, face scrunched up in concentration.
EDWARD
Ugh. Time for an easier gimmick.
Sunday, August 21, 2011
The Riddler - Wise Men Fold - Rol Hirst
The story so far…
The Riddler has fallen in love and renounced his evil, duplicitous ways. Batman is suspicious but gradually comes to believe that Edward Nigma has turned over a new leaf. The Joker, of course, is having none of this. He kidnaps Nigma’s bride-to-be and when Batman and the Riddler arrive to rescue her, he murders the woman before their eyes. Batman captures the Joker and ships him back to Arkham. The Riddler disappears… until, one night a few weeks later, he returns – more vicious and driven than ever. He lures Batman into a trap, captures and imprisons the Dark Knight inside an unbreakable plexiglass prison. Then he gets out his gun…
Panel One.
The Riddler points his gun (an old-fashioned revolver, but BIG) at Batman. The Dark Knight has little room to move within his cell. There’s no way to dodge this bullet.
Riddler: It’s broken, yet it keeps on working. What is it?
Batman: Edward…
Panel Two.
Close on the Riddler, over the top of his gun, his face wracked with pain. No tears. He’s past tears.
Riddler: What begins but has no end… yet it’s the end of everything that begins?
Panel Three.
Close on Batman, looking grim.
Batman: Edward, you don’t have to do this…
Panel Four.
Edward cocks his gun, ready to fire. Batman is pleading now, his palms against the glass.
Riddler: What’s the one crime the Batman won’t ever be able to punish me for?
SFX: Click!
Batman: Edward, please—
Panel Five.
The gun fires – Batman screams out.
BATMAN: Noooo!
Panel Six.
Batman can only watch as the bullet ricochets off the unbreakable plexiglass wall and strikes Edward in the heart.
Why The Riddler?
Riddle me this, boy and girls...
Which Batvillain walks on four legs in the morning, two legs in the afternoon, and three legs at night?*
Which Gotham rogue ties up Batman's brain more than his body, has a mysterious pun for a moniker, and makes question marks almost as fashionable as bowler hats?
Who's the one Batfoe even Jim Carrey couldn't kill? (Though he gave it a pretty good shot.)
He's a puzzle, wrapped in a mystery, called E. Nigma.
Why The Riddler? Hey, I'm not giving you all the answers...
(*In the morning he's crawling through sewers to escape Arkham Asylum. In the afternoon he's standing tall as he launches his latest diabolical plan. At night he's hobbling about on his cane after taking another beating from the Batman.)
Saturday, August 20, 2011
R2D2 – The Solitary Protocol – Ryan K Lindsay
Caption: The R2 unit scans the room to ensure they are alone. Not even a wamp rat is within hearing distance.
Caption: The Solitary Protocol initialises.
2. R2’s eye turns blood red.
Caption: Only one will see it.
3. The bounty hunter shows fear as he fumbles for his gun, too late. A red glow is upon him, we can't see R2-D2.
Caption: And not for very long.
Friday, August 19, 2011
R2-D2 - Words Between Friends - Grant McLaughlin
Thursday, August 18, 2011
R2-D2 - Learnt From The Best - Matt Duarte
Tuesday, August 16, 2011
R2-D2 - Street Fighting Droid - Rol Hirst
The story so far…
Luke Skywalker has crash-landed on a strange planet with only R2-D2 and C-3PO for company. They’ve arrived in a strange city that has been ravaged by a plague of marauding creatures who hide their faces under hoods and communicate only via handheld portable computers. These strange, violent humanoid aliens are known as “The Y’Oof”. They have looted, pillaged and burned the city to the ground, killing everyone who opposed them. And now, they’re face-to-face with an unarmed Luke Skywalker. Well, not entirely unarmed…
Panel One.
Facing the oncoming horde of Y’Oof, Luke calls back to R2-D2 for his lightsaber, holding out his hand ready to catch the weapon when R2 fires it at him.
Luke: R2…?
Panel Two.
Close on R2-D2. The lightsaber ejects from its storage place in the top of R2’s dome…
R2D2: Squee boop whoop wheee---!
Panel Three.
…but the saber doesn’t launch towards Luke. It remains sticking out of R2. C-3PO approaches, looking panicked. The Y’Oof swarm towards Luke.
Luke: Hurry up, R2…!
R2-D2: Widdle boop b-doop beeep!
C-3PO: What do you mean, it’s stuck?
R2-D2: Squiddle bee-boop bing bwooooop!
C-3PO: Well, unstick it, you wretched watering can! Master Luke needs his---
Panel Four.
The Y’Oof fall upon Luke – he’s swamped by their locust-like attack. C-3PO throws his arms up in panic while R2-D2 hops from one foot to the other in frustration.
C-3PO: Master Luke! Oh, look what you’ve done, you binary-spewing bucket of diodes! They’re killing him! They’re killing him!
R2-D2: Ping bweedle boopledee--!
Panel Five.
Unable to detach the lightsaber from his dome, R2 does the only thing he can… activating the lightsaber and launching himself into battle to save his master.
SFX (saber): Neeeeoooooowm!
C3PO: R2 – no, what are you doing? Come back – R2D2, no!!
Monday, August 15, 2011
R2-D2 – His Only Hope - Ben Rosenthal
1. R2D2 is taking up most of the panel, shown from half way up. There are two people with him, however we cannot see who they are as they are out of panel. One of these people is currently trying to ‘fine tune’ a message that R2D2 is playing back (you know, the blue hologram thing). Show this by having a pair of hands doing ‘tuning’ things to R2 I guess. Not like that though. Sicko.
The blue hologram is scrambled. We can see that it is of a humanoid figure, but cannot make out who it is.
VOICE ONE (off panel)
Wait, wait. Something is playing.
SCRAMBLED HOLOGRAM
-ksssst- ...how long I’ve been here. I don’t kn – kssst- ..at Fox.
2. Same as Panel 1, but the hologram is scrambled beyond recognition.
VOICE TWO (off panel)
Get it back!
VOICE ONE
I’m working on it I’m working on it.
3. Same as Panel 1.
SCRAMBLED HOLOGRAM
-kssssssst - ...things he has done in my name. My clone is evil and must be stopped!
VOICE ONE (off panel)
Wait, I think I’ve got it.
4. Same as Panel 1, however the hologram has been unscrambled. We can now see that the person giving the holographic message is George Lucas. His hands are chained and has obviously been held prisoner for at least the last fifteen years.
GEORGE LUCAS HOLOGRAM
Help me internet community. You’re my only hope!
Sunday, August 14, 2011
R2-D2 – Loyal to the End - MK Stangeland Jr.
(7 Panels)
Panel 1: A thin panel that stretches across the top of the page. All that can be see is space, though a slight tint or pattern to the image should suggest it is being looked at through some form of shielding.
Panel 2: Panel, stretched across the page like panel 1, pulls backwards to show R2-D2 sitting in the astromic droid slot of an XJ model X-Wing, looking out into space.
Panel 3: Panel is tilted to show C-3PO standing next to the X-Wing looking up at R2-D2.
C-3PO: Artoo, you really should come down.
Panel 4: JAGGED FEL walks up next to C-3PO.
C-3PO: There’s nothing you can accomplish up there.
JAGGED FEL: How long has he been up there?
C-3PO: Oh! Hello, Jagged.
Panel 5: C-3PO turns to JAGGED FEL. JAGGED looks like he’s really thinking about the situation.
C-3PO: He went up there as soon as he heard about Master Luke. He hasn’t come down since. I don’t know what to do!
JAGGED FEL (1): Maybe…
JAGGED FEL (2): Maybe he just needs time.
C-3PO: Time? Time for what?
Panel 6: C-3PO looks as surprised as one can when they’re a droid with an unmoving face. JAGGED continues to talk to him.
JAGGED FEL: To mourn.
C-3PO: To mourn? But certainly you don’t think that’s possible for a droid, do you?
JAGGED FEL: Normally I might agree with you, but with what I’ve heard about your friend…
Panel 7: Close up on R2-D2’s dome as it sticks up out of the astromic slot.
JAGGED FEL: (Off-Panel) …I might make an exception.
(END PAGE)
Getting to Know MK Stangeland, Jr.

Who is your favorite comic character?
Rocket Raccoon - he’s a super-intelligent wise cracking rodent. His best friends are a tree that says little more than it’s own name, followed closely by Star-Lord and whatever ridiculously large gun he happens to be using at the time. Guns that would be ridiculously large for a normal human, mind you, let alone a two-foot furry woodland critter. All while being an a**-kicker of the Fantastic.
What’s not to love?
What is your favorite comic?
This is a toss up.
On the one hand, there’s the 2008 Guardians of the Galaxy series as written by Dan Abnett and Andy Lanning (DnA). It features the same soft sci-fi mix of action, cross-galaxy/universe landscaping, fun characters, and lack of techno-babble that originally made me such a fan of Star Wars.
On the other hand, there’s Bryan Q Miller’s Batgirl series with Stephanie Brown which has sadly now ended at the hands of the DC reboot. Steph alone makes the series a lot of fun, being someone who’s both relatable as a human being and entertaining in her own right. Plus, Bryan does an amazing job of setting a series in the normally grim and gritty Gotham City while managing to keep it as lighthearted as it is.
I think that when it comes down to it, however, I have to tip it to the Guardians .
Who is your favorite comic writer?
I think the closest thing I have to a favorite comic writer is DnA, on account of Guardians of the Galaxy and the phenomenal finale in the form of Thanos Imperative. If nothing else, it gave me reason to check out the new Heroes for Hire series simply because they were writing it, which I think is a pretty good reason to pick them.
The only other writer I can say as much about is Brian Clevinger, who I first learned about through his hilariously dark and outrageous 8-Bit Theater webcomic, which lead me to purchasing the Atomic Robo Trades as they come out, and thus far I’ve at least taken a look at any comic projects I find out he’s writing for.
I think Warrin Ellis might be making a strong argument as well, between Nextwave, the part of his Ultimate Fantastic Four run I’ve read, and depending on what he does with his upcoming work on Secret Avengers.
Who has been the most fun to write so far at thoughtballoons?
The Batgirl/Robin team-up from Stephanie Brown Batgirl week is a definite winner. Those two just go together so incredibly well, and even as someone who’s normally a Marvel Guy, the potential loss of their highly antagonistic relationship is something I’ll regret the loss of if it doesn’t survive the DC reboot.
Which character do you most dread having to write?
I’d say the character I’d dread most is Mephisto, so I think I’ve dodged the biggest bullet right there since he was picked long ago. That said, he’s part of a larger grouping of characters that really leave me feeling uneasy about the possibility of having to try to write them, all falling in the realm of some kind of ‘evil mystical’ aspect of comics. It’s the kind of category in which I’d also place characters like Satanna and Sabacc (or however you spell his name)
Which non-comics character would you most like to write?
Given time to think about it, I’d probably say either the Animaniacs or Freakazoid!. Those two are probably due for a comeback, anyway.

Which script do you think has been your best so far?
Without a doubt, the Batgirl/Robin team-up script from the Stephanie Brown Batgirl week, “Best of Frenemies”. I had a lot of fun putting that page together, and I think everyone else had a lot of fun reading it, too.
Again, it’s a shame that the DC Reboot is on the horizon, because I have little doubt that if they’d had the time to put out a Batgirl & Robin book starring those two first, even if it was just a miniseries, it could have surpassed Guardians of the Galaxy as my favorite comic.
Which script in total do you think has been the best on the site?
Most dreaded character may have been the most difficult question, but this comes in second. Matt Duarte’s Poker Face script featuring The Thing stands out as an early favorite, simply because that was the week I was first introduced to the website, and it stands out as a winner from that week.
I also have to give props to Ben Rosenthal’s Twas the Night Before X-Mas starring Deadpool as Santa.
Finally, I also like both Max Barnard’s Stretch Armstrong script with Reed Richards and, more recently, FUNderbolts. The former, I still can’t honestly say I really understand what’s going on with that thing, but it still gives me a warm fuzzy feeling inside for some reason. The later I just happen to find incredibly charming.
Why R2-D2?


Saturday, August 13, 2011
Captain Marvel – Deceptive Appearances - MK Stangeland Jr.
Friday, August 12, 2011
Captain Marvel - Painting the Town Red - Grant McLaughlin
Three rows of equal size. The first row is a single panel, taking up a third of the page. The second and third rows are made up of three panels each (all of equal size).
Thursday, August 11, 2011
Captain Marvel - Disassembled - Matt Duarte
Note from the author: I totally blew my deadline on this one, so I am backlogging it into the time it was supposed to be up. Sorry for the delay.